The neuroscientist Steven Rose claims that an instrument itself, e.g. a scientific tool, shapes, and sometimes reduces, the world it depicts and our perception of it. Thus, when we hold a hammer, everything will appear more or less as a nail (Rose, 2005). But what would happen if the same instrument were taken out of its original context and employed in an alternative way to its prescribed usage?
The existence of a relationship between art and science
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